Below is an excellent lecture on the history, characteristics, qualities, and purpose of Gregorian Chant. I too have a love for Gregorian Chant and I sing it as part of a men’s Latin Schola in my parish for the 7:30 AM Sunday Mass, which is Novus Ordo, but is more solemn and traditional. I view it as a step to help our parish move towards traditional Catholicism — or just Catholicism. However, although my love for chant continues to grow, I am rather ignorant of its true riches.

Dr. Peter Kwasniewski is incredibly knowledgeable on the subject, as well as on the Traditional Latin Mass that Gregorian Chant serves. His book, Noble Beauty, Transcendent Holiness: Why the Modern Age Needs the Mass of Ages , is excellent.

Martin Heidegger, before he became the 20th century’s greatest philosopher and infamous for a morally questionable life, was a devout Catholic. His father was the sexton in their parish. Martin and his brother helped. Below is taken from Rüdiger Safranski’s biography of Heidegger:

The “sexton lads,” Martin and his younger brother, Fritz, had to help with the church services. They were servers, they picked flowers to decorate the church, they ran errands for the priest, and they rang the bells. There were–as Heidegger recalls in On the Secret of the Bell Tower (Vom Geheimnis des Glockenturms)–seven bells in the tower, each with its own name, its own sound, and its own time. There was the “Four,” to be rung at four in the afternoon; the “Alarm Bell,” which roused the town’s sleepers from their slumber; and the “Three,” which was also the knell. The “Child” rang for sunday school and for rosary worship; the “Twelve” marked the end of morning lessons at the school; the “Klanei” was the bell struck by the hour hammer; and the one with the most beautiful ring was the “Big One”; it would ring on the eve and on the morning of high holidays. Between Maundy Thursday and Easter Saturday the bells were silent; instead there were rattles. A cranking handle set in motion a number of little hammers that struck against hard wood. A rattle stood in each of the four corners of the tower, and the boy bell ringers had to work the handles in turn to ensure that the harsh sound went out in all four directions of the compass The most beautiful time was Christmas. Toward half past three in the morning, the boy ringers would come to the sextion’s house, where mother Heidegger had laid the table with cakes and milky coffee. After this breakfast, lanterns were lit in the front-door passage, and everyone went out through the snow and the winter’s night to the church opposite and up into the dark bell tower to the frozen ropes and ice-covered clappers. “The mysterious fuge,” Martin Heidegger wrote, “in which the church feasts, the days of vigil, and the passage of the seasons and the morning, midday, and evening hours of each day fitted into each other, so that a continual ringing went through the young hearts, dreams, prayers, and games–it is this, probably that conceals one of the most magical, most complete, and most lasting secrets of the tower.” (Safranski 7)

That image of the boys going out into the snow around four in the morning to climb the bell tower and ring the bells is beautiful. These are the kinds of things we have lost in our frantic grasping after modernism and progress.


Cited works:
Safranski, Rüdiger. Martin Heidegger: between Good and Evil. Translated by Ewald Osers, Harvard University Press, 2002.

I’ve been curious about women wearing veils at Mass. My family is relatively new to the Catholic Church. Very few women at the Mass (Novus Ordo) we attend wear veils. It’s natural to not want to stand out. Veiling is an entirely foreign concept for us, coming as we are from Protestant-land. But I have to admit, perhaps it’s even a bit strange, that women who wear veils at Mass or in the adoration chapel, somehow appear to me as more beautiful in the moment than those who don’t veil. I wonder why? I find it both odd and compelling.

I want to know more about veiling. My sense is that it’s actually a profound theological fact built into the very fabric of creation, of human nature and natural law, and of the reality of the Church. I believe it may be a natural language giving to us by God, teaching us and forming us. Perhaps when women wear veils before the Real Presence they are more fully complete in some mysterious way. If this is true, then parishes where veiling is largely absent and not promoted are at the very least failing to allow themselves to be taught and formed by this truth given to us by our Creator. At worse, we may actually be sinning by giving in to modernist and false ideas of women, men, the Church, and of Christ Himself. I wonder if the Church should place a higher priority on the practice. I’m leaning to a strong yes.

Why do priest never preach on veiling? Why do they never seek to teach their parishioners on what veiling means, why anyone would or should consider it? I’ve never once heard a homily about it one way or the other. Are they ignorant about veiling? Frightening to speak up? Are they against veiling? Perhaps they believe they are merely being obedient. But I can’t really blame them for not touching the subject if they feel they don’t have to. So, why don’t bishops touch the subject. I don’t know.

I find it interesting that the official Church declaration, Inter Insigniores (1976), states:

But it must be noted that these ordinances, probably inspired by the customs of the period, concern scarcely more than disciplinary practices of minor importance, such as the obligation imposed upon women to wear a veil on their head (1 Cor 11:2-16); such requirements no longer have a normative value.

And yet in the passage it references, 1 Cor 11:2-16, it is clear that St. Paul’s reasoning is not from culture but from the very design of creation and natural law. Although he uses the words of handing on traditions, he also argues: “But I want you to understand that the head of every man is Christ, the head of a woman is her husband, and the head of Christ is God.” And again: “For a man ought not to cover his head, since he is the image and glory of God; but woman is the glory of man.” And again: “For man was not made from woman, but woman from man. Neither was man created for woman, but woman for man.” And again: “That is why a woman ought to have a veil on her head, because of the angels.” In each case he argues from non-cultural positions, but rather teaches from the structure of creation, of the very origins of man and woman, and of the angels. I think St. Paul would disagree with Inter Insigniores. What do we do with this? Were the writers of Inter Insigniores “infected” with modernism? Were they worried of the biblical language in light of the rise of feminism? The use of the word “imposed” is interesting. In any case, I can’t say. I’m ignorant on this.

Therefore I’m trying to learn. Below are a couple of videos that I find interesting. The first is more theological, and it starts by looking at veiling broadly (why during passiontide do we veil crucifixes and statues? why ever veil anything?), then it looks at women wearing (or not) veils at Mass. I have watched this video several times now. The second video is more about personal testimonies from those who have chosen to veil.

If you so choose, I would love to know your thoughts on veiling. Feel free to add your comments.

Here is a video tour (in French) of the cathedral before the fire. At minute 9:05 they enter the roof area. You can see the wood structure and a couple of fire extinguishers. This is where the fire raced through the building. After watching the fire destroy the roof so ferociously, those fire extinguishers look more like ornaments than useful implements. I have to say, though, this is an amazing video. One gets a great inside, behind the walls as it were, tour of this great cathedral. Even if one doesn’t understand French.

Some video showing what the firefighters were up against:

Some images that caught my eye:

[*Note: I don’t remember where I found these images, so my apologies for not giving proper credit.]

Before and after:

Many are pointing out the fact that the aesthetically strange and seemingly out-of-place modernist altar designed to suit the Novus Ordo/Spirit of Vatican II modernist church has been destroyed under a pile of rubble while the traditional altar designed to suit the Traditional Latin Mass (the Mass for which this church was built) still stands. Some see this as highly symbolic, perhaps even prophetic. I tend to agree, or at least I want it to be true, but I don’t want to read too much into it.

And, finally, a beautiful song sung in her honor:

Not all of us can regularly go to Mass in a cathedral of great beauty. Most Catholics have available to them rather humdrum works of architecture for their local parish. But it’s still possible to find beautiful small churches where careful attention to detail and the meaning of form went into their design. And yet, that still relatively rare.

The following video is an excellent look at one of the crown jewels of Catholic cathedrals, Chartres Cathedral in France. This comes from the “Smarthistory. art, history, conversation” YouTube channel. As you watch it, consider how much thought went into this building, and then consider the church where you regularly go to Mass. My point here is not to highlight the great beauty of Chartres compared to the humble local parish, but how carefully the design and the details were thought through and realized in Chartres. Can we achieve such excellence again? And can we achieve something of this in our local parishes? I believe we can and should.

Of course, very few parishes have the resources to build large and lavish churches, but often a church that achieves the right virtue of proper “churchness” is not a matter of resources, or size, or expensive materials, as it is of basic understanding and will. What I mean is that having the right understanding of what a church is and ought to be, and applying one’s minds carefully to its design, even a small church in a small parish can be a work of architecture worthy of worshiping Christ and elevating the faithful to Heaven.

I am surprised at how apparently ignorant so many Catholics are, including many in the hierarchy, about basic church architecture–or seem to be so. Churches are where we celebrate Mass. This is no small matter. Although, perhaps most Catholics are not as ignorance and not caring about such things, believing they are unimportant. However, the church building itself, though not absolutely necessary for celebrating Mass is, nonetheless, the normative place of worship. In it we meet the Real Presence of our Lord and savior, the King of Kings. If we take worship seriously then we should take church design seriously, including for the humble local parish Church. Catholics used to. But we haven’t for some time now. We must again.

I have frequently posted on this and related topics, for example here.

I also love how the speakers in the above video, Dr. Steven Zucker and Dr. Beth Harris, don’t shy away from orthodox Catholic dogma. This is not a video where the information presented has a condescending tone toward faith and believers. I have no idea if they are Catholics or not, but they just say things as though they are relating how Catholics ought to think of these things. I think this is the best way to present something like Chartres Cathedral. The viewer can make up their own mind, but at least one should know what the builders of Chartres believed and what led to make the kinds of decisions they did.

I have also been reading an excellent book, Visions of Mary : art, devotion, and beauty at Chartres Cathedral by Rev. Jill Kimberly Hartwell Geoffrion. She is a scholar, photographer, and Episcopalian priest who has come to love Chartres and Catholic history. (I pray she takes the leap and become Catholic–perhaps not easy for a woman who is an Episcopalian priest. She would have to give up some things precious to her.) This book takes a look at aspects that speak directly to the Holy Mother, her role in the life of the Church, and how Catholics (especially in times past) think of Mary. It does so by focusing and meditating on specific details of the cathedral. This book makes me want to go to Chartres and spend some significant time with the Cathedral, taking pictures and making sketches and just attending to it.

As I see it, architects should look at Chartres, and similarly excellent Catholic churches, as inspiration to how they should think about church design in general, and then apply that understanding to every Catholic church building, even the most humble and simple of churches. I also believe the faithful should know these things too, being encouraged in the faith, but also demanding churches actually be Catholic in their designs.

Of course, church design tends to flow from intended use, thus a church designed to serve the needs of the Traditional Latin Mass will necessarily look different than one designed to serve the needs of a Novus Ordo Mass. This is why, when the Novus Ordo was promulgated, so many older churches had their altar rails removed, altars brought closer to the nave, and other changes because the Novus Ordo felt wrong in a traditional space. And this is also why the Novus Ordo still feels out of place in a traditional church even after those kinds of changes have been made, because arches, stained glass, cruciform floor plans, and other harder-to-change elements don’t fit the New Mass. The contemporary modernist church needs a more Protestant style, entertainment hall. Thus, it’s more than merely the architecture that often needs to change.

Church of St Louis Abbey Elevation

Here is a video on the design process and construction of the famous (or infamous) St. Louis Abbey Church.

Is this a good church? Does it properly serve the purpose of a church? Many would say no. In fact this church is frequently presented by traditionalists as a prime example of terrible church design. Why?

Michael Rose had some thoughts on this topic. The basics are presented here. In short, the idea is that there is no journey towards God, from the profane to the sacred, in a round church design. It is, rather, made for a celebration of community and not the Eucharist. Though perhaps providing excellent acoustics for singing prayers, it is arguably not designed for proper worship in terms of offering sacrifice by a priest to God on behalf of the Church. Of course, in our Novus Ordo world which is focused more on the “people of God” in communion with each other more so than on the Bride of Christ worshiping God, many would argue with this argument. A round church, one supposes, serves better the idea that the faithful are gathered around a table for a meal.

Also, the church was completed in 1962, before the council had done anything, and long before the Novus Ordo Mass was promulgated. These architectural ideas had been around for some time before the council.

Perhaps what I found most telling in the video linked above is the moment when Fr. Timothy says, “neither the architect nor we knew what we were doing.” I find this particularly emblematic of that era. It was a time when so many felt the strong need to throw off the past and create the future, but then discovered they didn’t know what to do. It made me think of this famous passage from G. K. Chesterton:

In the matter of reforming things, as distinct from deforming them, there is one plain and simple principle; a principle which will probably be called a paradox. There exists in such a case a certain institution or law; let us say, for the sake of simplicity, a fence or gate erected across a road. The more modern type of reformer goes gaily up to it and says, “I don’t see the use of this; let us clear it away.” To which the more intelligent type of reformer will do well to answer: “If you don’t see the use of it, I certainly won’t let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it.

There’s nothing wrong with asking if the way we have always built churches is the best. There is nothing wrong with exploring other possibilities. But, at the end of the day, we always discover our experimentations come from someplace, and the more we are unclear in our own minds the more likely other forces, spiritual or otherwise, will rule the day, and us. My take, and this applies to the “spirit” of the council and all that means, is that a great deal was done, including a great deal of destruction and deformation, because people had grown tired of the old ways and of old things. And I believe they grew tired because they ceased to truly know what they meant and what they were for.

Nonetheless, I pose the question: Is this a good Catholic church? Is it a proper design for what a Catholic church is meant to be?

Church of St Louis Abbey interior

priory-chapeldetail-image-timeline_image_1215x855-1215-855
source

Below is a time capsule Mass celebration in the church made for television:

 

 

Are modernist buildings good places to pray?

abbey church interior
source and overview

I may be somewhat of an anomaly. On the one hand I am an advocate of Traditional Catholicism, including Traditional Catholic architecture designed to serve Traditional Catholic worship. (If you search through this blog you will know this.) On the other hand I love much of modern architecture. I love many buildings that many others do not like. I grew up in a modernist house, I studied modern art and architecture in college, and I have been a fan of early twentieth century and mid-century modern art and design. With this in mind, I found this lecture about one of the more famous (infamous?) modernist churches to be quite fascinating, not only for its informative content, but also because the lecturer gives a highly (almost ecstatically) positive perspective on exactly the kind of church design many would deride without hesitation.

Abbey Church SJU_Inaguration__020
source and more images

This lecture below is by monk, educator, and artist David Paul Lange, OSB. Whether you agree with his assessments or not, this is an excellent overview of modernist principles in architecture, especially at the mid-twentieth century point, and why it made sense to people at that time to build a church according to those principles. It is also an excellent “unpacking” of the design, and the ideas behind the design, of a particular church, the Saint John’s Abbey Church:

I find Brother David Paul Lange’s speaking style to be a bit too breathless for my tastes, but he is a great evangelist for the modernist perspective in architecture, and for this church. But I have some questions:

  1. Is his understanding correct about both modernist architecture and his interpretation of this church? I think absolutely.
  2. Is this church a good representation of modernist architecture? Yes.
  3. Is this church worthy of praise? As an example of modernist thinking, yes. As an example of excellent construction, yes. As a place for worship, you tell me, but I think no, at least not within a proper understanding of ideal Catholic worship.
  4. Therefore, does this church represent a different ideal of worship than traditional Catholic worship, I think so. But you tell me.

Notice a few things:

  1. He speaks of praying more than worshiping. This makes sense given this church is for a monastic community which is focused a great deal on prayer, but it is also significant. The focus is more about the nature and needs of praying than offering a sacrifice to God. Praying in a church is a good and normal thing. However, prayer is a part of worship, but not the only part. Many spaces can be prayerful. Only specific kinds of spaces serve the needs of worship.
  2. He speaks a lot of his own feelings. In a sense this entire talk is an explanation of his personal experiences of this church, and his feelings during and about those experiences. There’s nothing wrong with that up to a point, but as a Catholic would it not be better to also foreground the Body of Christ as a corporate entity a bit more? In that sense he would then speak more of the nature of man in general and his relationship with God. And then tie it back to this church and how it functions.
  3. This is more about a “modernist space” than a church (hence the title of the lecture), even though it is a church where the Eucharist is celebrated. He points out the way the outside comes into the church interior, reminding those inside of the connection with nature, what time of day it is, what weather is outside, etc. In this sense I gather the space functions a bit like stepping into a forest and praying. I like this in a sense, but when I think of celebrating Mass I wonder about the idea of Heaven on earth and the traditional way churches close off the outside world and creating a space that is more heavenly than earthly.
  4. He speaks of the honest use of materials, and how older churches seem dishonest somehow, using paint to create false impressions and faux marble, etc. This is a particularly important part of the lecture. I too love the modernist focus on materials. I also don’t believe such focus is necessarily bad for church design, but a church interior should be (traditionally speaking) a kind of three-dimensional icon of Heaven. Rough, earthy materials that evoke nature have their place, but they should serve a heavenly image, no? Here’s something I might explore in another post, but consider this: Is not a statue of St. Michael (for example) fake because it is not actually St. Michael? Same for the Holy Mother, etc? Would not any church that aspires to create a sense of the heavenly liturgy within its walls be a dishonest use of materials? Maybe. But perhaps that’s a “dishonest” use of the word dishonest.
  5. The bell tower, he argues, with its horizontal lines, points to (or mirrors) the horizontal earth rather than to God. He claims it reminds him that God is everywhere and in all things, and perhaps that’s a good reminder, but this is a curious claim and raises the question, in my mind at least, what is the purpose of a church? To call us to the earth or to call us to Heaven? Do we not minister to each other (horizontally) because we have first sought out and worshiped God–a vertical action? If we do not begin with the vertical does not our horizontal orientation eventually become skewed?
  6. He also mentions that the population of monks used to be 350, but now are only 150. They don’t need such a big church anymore. Only by way of correlation, but still interesting (and troubling): They commit themselves to modernist ideas, they build a modernist church to symbolically represent that modernist spirit, and not long after they lose 60% of their members. Apparently modernism doesn’t need monks. Perhaps modernism doesn’t really need man either.
  7. At the end of the lecture, just before questions, he jokingly apologizes for going a bit long and keeping the Downton Abbey fans from their show — a show whose popularity arose from a longing for an earlier time, represented, in part, not by modernist architecture, but very traditional architecture, and clothing, and customs, etc. Will future generations swoon over the modernist mid-twentieth century in the same way? Perhaps Mad Men did some of that, but that is an awfully dark show.
  8. The first question at the end, by another monk (I believe), is exactly my question, and worth the time for watching this lecture. I have never been in this church, so I have no way of saying what my thoughts would be, but I also wonder if such a place is naturally conducive to prayer, or liturgy at all for that matter. And I truly get the experience from having studied art and swooning over art that others think is stupid or meaningless. And I also find the questioner’s reference to the new cathedral in Los Angeles being obvious a place of prayer puzzling, since it also has been roundly derided for its modernist and non-Catholic design. The answer to his question included: “Do people get modernism? I think the answer is no, by and large,” and “Until I explain this…” In other words, modernist art and architecture requires explanation in order to appreciate it. This is one of the attractions and weaknesses of modern art. I have experienced exactly that feeling of “getting it” after studying it. And yet, I think this may be why modernist architecture is not a good choice for Catholic churches. He also says we are not actually living in a “modernist” society. In terms of art and architecture this may be true specifically in light of design principles–modernism, from an art historical perspective occured at a time in history which is now past. However, the spirit of modernism as a philosophical and theological undergirding of society and the Church is still very pervasive. How modernism in ideas and modernism in design interrelate is a fascinating topic too big for this post.

In the end I find the Abbey Church a beautiful and amazing space. However, I do believe it is probably best suited as a performance space than as a church. I would not advocate a church being built along these lines. Rather, I think we should be informed more by the needs of the Traditional Latin Mass with its focus on God rather than man, uniformity with the Church through history, and creative use of new and old materials that look to the past for inspiration and the future for permanence and authentic timelessness — which can only be done by beginning with a true understand of both God and man.

Finally, I wonder if much of the problems with using modernist design principles and materials for Catholic churches could be solved if the liturgy was the Traditional Latin Mass. In other words, imagine if Vatican II never happened, and the Novus Ordo Mass never promulgated, could churches have been designed in somewhat contemporary and modernist fashion and still fulfill the needs of the TLM? Can architects build “honest” churches and still be Catholic? I think so. But also keep in mind that the St. John’s Abbey church construction began on May 19, 1958, and lasted until August 24, 1961 — well before the council even began, and long before the Novus Ordo Mass was promulgated.

If you want to know a bit more about the architect Marcel Breuer:

If you want to know a bit more about the building of the church:

 

Christ Chapel drawing Duncan Stroik
Architectural illustration of Christ Chapel in Hillsdale, Michigan by architect Duncan G. Stroik (source)

In a similar way that the Counter-Reformation, as its name describes, countered the Reformation, the Church must again counter a new “reformation.” But this new reformation has really been more of an internal revolution of modernism that has cause enormous damage within the Church as well as outside. Many have felt strongly that some kind of rediscovery and return to the rich architectural traditions of the Church, much like the return to the Traditional Latin Mass, should play a major role in this new counter-reformation. I agree.

Duncan Stroik is a practicing architect and devout Catholic who specializes in church design. He has been on a crusade of sorts to bring back to the foreground the traditions of church design that were once taken for granted and then largely lost (but, of course, not really lost, for we still have many examples). He is a leading voice in the return to beautiful and properly designed churches “movement,” if that’s the right word for it. He is also an author and Professor of Architecture at the University of Notre Dame.

Here is a recent lecture he gave, along with numerous examples, on twelve points of this new counter-reformation. This was part of the Catholic Artists Society’s 2018 Art of the Beautiful lecture series at New York University’s Catholic Center:

Should we be building (or restoring) beautiful churches when there is so much poverty in the world? Shouldn’t the Church sell all that it owns and give the money to the poor?

I am a simple man and I do not have a complete answer to that question. But I ask you to consider the story of the feast of Simon the leper, or more appropriately the story of the woman with the alabaster box of ointment. Does this story have a lesson for us that applies to the questions above? I think so.

Rubens-Feast_of_Simon_the_Pharisee
Feast in the House of Simon the Pharisee, Peter Paul Rubens, 1618-1620, The Hermitage Museum, St. Petersburg

In the Gospel of Matthew, verses 26:6-13, we read:

Now when Jesus was in Bethany, in the house of Simon the leper, there came unto him a woman having an alabaster box of very precious ointment, and poured it on his head, as he sat at meat. But when his disciples saw it, they had indignation, saying, “To what purpose is this waste? For this ointment might have been sold for much, and given to the poor.” When Jesus understood it, he said unto them, “Why trouble ye the woman? For she hath wrought a good work upon me. For ye have the poor always with you; but me ye have not always. For in that she hath poured this ointment on my body, she did it for my burial. Verily I say unto you, Wheresoever this gospel shall be preached in the whole world, there shall also this, that this woman hath done, be told for a memorial of her.”

In the Gospel of Matthew this woman pours ointment on Christ’s head, in Luke it says she pours it on His feet and wipes them with her hair. I think it is fair to say she did both, and to do so fits with Christ saying she did it for His burial. But here’s the question I think we should ask for ourselves in light of this story: Do we not, very specifically and uniquely, have Christ with us at Mass, truly present? Are not our churches, in fact, both temples and palaces: places for worship and sacrifice on the one hand, and places for monarchal reverence and pomp on the other? Yes, we must help the poor, but our love for our neighbor goes forth from our worship of our creator and our savior. We proceed from Mass into the world, conforming our lives to Christ in our actions. And churches are for all who come, rich and poor alike.

The poor, above all else, need salvation of their souls as does everyone else. Certainly we must not forsake the poor with cheap excuses that our monies are tied up elsewhere. Christ chastised the Pharisees for that as well. But we must not turn away from proper worship in order to, instead, focus on the poor. When we do, we put our souls at risk, and theirs.

[I realize I risk saying all this because I am not poor. My apologies for any thickheadedness and offense.]

I believe the state of the “new Church” today, with its numbers plummeting, its thin gruel of RCIA programs, its horrible music, its new Mass with namby pamby vestments and shallow prayers, and all its staggering and ravaging scandals, is all of a piece with its degraded and ugly churches. To forsake right worship, which includes, if at all possible, beautiful places of worship of sufficient design and beauty to glorify the King, is to lose the forest for the trees. It is, in a sense, to lose Christ.

This is one reason why churches that focus only on helping the poor all too often become churches where soup and blankets becomes their gospel and not the good news of Christ’s death and resurrection for our sins, saving us from Hell, and leading us to eternal life. Raising Lazarus was an image of the gospel, but Lazarus was raised to die again. His true salvation came because Christ died on the cross, and then rose from the dead, then ascended to the right hand of the Father, and then Lazarus believing in that truth.

Therefore, I believe that a gospel which says we should do away with fancy churches and instead give that money to the poor is, in fact, a substitute gospel. It has some appeal because it has some important truth (we truly do need to help the needy and lay down our lives for others), but it elevates one truth inappropriately above another. The poor (and the downtrodden, and those in prison, and widows & orphans, and the hungry, and the naked, etc), whom you must love, will always be with you. But if you are to see Christ in the poor you must first see Him in the Eucharist, and bend the knee, and bow your head, and worship Him. Should you sell all you have and give it to the poor? Maybe. Should the princes of the Church live simple lives of poverty? I think they probably should (certainly many today should be brought low). Ought the Church as the body of Christ celebrate Mass in plain sheet-rocked or concrete-tilt-up boxes instead of beautiful, ornate, and more expensive churches? I think not (if at all possible). Give glory as and to whom glory is due.

Does this mean that if we focus once again on building more beautiful churches all our problems with go away? No. But we must not be afraid to build beautiful churches. To do so will feed and inform our souls in surprising ways, and help us become more holy, more fully human, more like Christ. This goes hand in hand with helping the poor. The stunning churches of old, those that are still with us, are memorials to those who built them in a similar way that the story of the woman with the alabaster box is her memorial.

You will meet her if you get to Heaven. And, perhaps, you will bow to her and thank her for showing the way.

Finally: Arvo Pärt, the brilliant minimalist composer from Estonia, set the words from Matthew above to music. Listen to this and read the words as you do. This is, I believe, a stunning example of what setting the words of scripture to music can be.

Introíbo ad altáre dei.

Peter Kwasniewski

Here is a great lecture by Dr. Peter Kwasniewski. I suppose a brief (and poor) summary might be: While the core essence of the Mass is Christ offering Himself on our behalf to the Father, all the other elements of the Mass are also important because it is through the “accidents” of the Mass that we have access to the “substance” of the Mass. This is true not only for the Eucharist and the doctrine of transubstantiation, but everything else, the smells and bells, kneeling and genuflecting, chant and prayers, etc.

Having recently finished his excellent book Noble Beauty, Transcendent Holiness
Why the Modern Age Needs the Mass of Ages, I look forward to finding anything else he has done. Dr. Kwasniewski is a particularly eloquent spokesperson for the usus antiquior.

His lecture is perhaps a bit technical, but still easy to follow, and worth the listen. I thoroughly enjoyed it.

I myself have been interested in this topic, especially the physicality of worship, for some time. Three years ago, after I had begun to make a more concerted effort to pray in the morning, I wrote on the physicality of faith. And more than four years ago I wrote a piece on reducing faith and worship down to some absolute minimum, which I called an inhuman experiment.

Archbishop Alexander K. Sample said: “May the traditional Mass flourish in the Church!”

I agree, and I pray every day both for the TLM to flourish and for the archbishop to continue his good work.

In this light, below is another good video from 2SPetrvs:

While watching this video I was thinking about the nature and function of parades. A lot of people like parades. In this video one see a pilgrimage can be a kind of parade. I have come to believe they have an important role to play in human society. There is something old-fashioned about parades. There is also something very human about them. To parade is to make a declaration. Perhaps more parishes should start parading in their cities.

Coronation_of_Nicholas_II
Coronation of Tsar Nicholas II (painting by Laurits Tuxen, 1898)

In the United States of American we live in (more or less) a democracy. Our country’s founding began with casting off the “shackles” of monarchy. We also outlawed the aristocracy.  That set in motion many positive things, but also some very bad things. I’m not saying if they could do it all over again they should rather have sought a compromise with King George (though I hold out that might have been the thing to do). But I will say we did lose something by doing away with a king.

We lost a powerful context within which to learn how to act before royalty.

Without a king, and the repeated experiences of seeing how a king functions, and how a king is supposed to be treated and, perhaps most importantly, how a people ought to act out obeisance and reverence to the king, then we lose a deep understanding of the language of kingship in the Bible. That language will be foreign to our ears, and if not foreign, non-visceral, non-intuitive. We will have some head-knowledge about kings, but not much more. And if we don’t have that deep understanding, then we will struggle knowing how to behave and, perhaps worse, being nearly completely clueless about our behavior.

By why does that matter now, in this life? Because we are royalty too, and Christ is our king, and we come before Him corporately every time we go to Mass.

Many have said that a huge problem in the Catholic Church today is a lack of understanding of the Real Presence of Christ in the Eucharist. I agree. I would argue that a second, and closely related, problem is that Catholics don’t know what to do with that knowledge even if they do understand it. At best, it often seems, Catholics believe the proper response to the knowledge of the Real Presence is an entirely internal emotional stance: As long as one feels strongly in some way about the Real Presence then one has done one’s part. Emotions are good, but a human person is body and soul together. What we do with our bodies does something to us at the spiritual level. This is a profound fact.

When we enter a Catholic Church we are coming before our king. Christ is really and truly present. The glowing red candle next to the tabernacle tells us that Christ is there before us. When we receive the Eucharist we are receiving the body of Christ, truly. A Catholic Church, then, is like a king’s great hall, a throne room. Jesus is our friend at some level, of course, but far more important is that He is our savior, our high priest, and our king.

The Mass is also a wedding feast. We, the Church, are His bride. He is our bridegroom. At Mass we are reaffirming our vows. The bride is married to the King of all creation. It is a royal wedding.

Wedding_of_Nicholas_II_and_Alexandra_Feodorovna_by_Laurits_Tuxen_(1895,_Hermitage)
Wedding of Tsar Nicholas II and Alexandra Feodorovna (painting by Laurits Tuxen, 1895)

So, how ought we to act at Mass? How ought we to dress? What should the attitude of our heart be? Well.. how ought we to act before our King? How ought we to dress at our wedding? What should our attitude be?

These are hotly debated questions. I’ve seen a mix of responses. But I would argue that, in general, we can do a much better job. But here’s the real deal: Acting, dressing, and thinking rightly at Mass is not about rules, or looking good, or “being a good Catholic.” Doing what one ought to do in the presence of the King, before Whom every knee shall bow and tongue confess, is medicine for our souls. Because this is true, and because God loves us, He has given us the Mass as a gift. It is good for us to act according to our nature. It is good to accept what God has given.

Remember that the humble Mass you attend on Sunday morning, or the even more humble daily Mass, is participating in the great Heavenly Mass. The images of Tsar Nicholas II and his wife Alexandra above provide a small glimpse into the kind of grandeur, unabashed pomp, and incredible beauty of a proper coronation and royal wedding. Is this the image we have in mind when we attend Mass? Is this a glimpse of what the Heavenly Mass might be like, even just a little?

If so, then let’s start acting like the Mass is actually what it is. Let’s start behaving like who we are, sons and daughters of God, heirs of the kingdom, royal subjects, the bride of Christ. Let’s come before our King as we ought.

This sounds great, but let’s not forget that we may not know how to do this. Our cultural and governmental examples are mostly democracies, and poor ones at that. Kings are gone or irrelevant. Royalty is banished or laughed at or merely entertainment. And I, being like you, am no more knowledgeable. Therefore, what I suggest is that we all begin with the admission that we have a problem. Then I suggest we begin helping each other to learn and then alter our behaviors accordingly.

Finally, something I think we all can agree upon, and one place where we can all easily start, is to dress as best we can for Mass — not letting the standards set by those around us determine our choices, but the fact and reality of the Mass itself inform our choices.

francechurchesdestroyed

It’s sad to see a beautiful Catholic church building destroyed. The video below shows some demolition moments from a church destruction earlier this year in France. But for how sad the video is, the churches demolition is really just a symptom of many other factors.

Those factors include such things as:

  1. The French government and not the Church itself owns all the Church buildings. And many of these buildings are old and in need of major repairs, and are unsafe if not repaired — the one above was going to be quite expensive to repair. And though beautiful, they don’t attract enough tourism to warrant their survival.
  2. A Church whose membership numbers have been in free-fall for decades. Thus there just are not the numbers to keep the churches filled with parishioners and, consequently, financially supported. There are a lot of reasons for this, but certainly they include: Too many priests and bishops who no longer believe in the faith, but have found careers essentially live action roll-playing being priests and bishops. Modernism and all its mutant children, including bad theology, a lightweight view of marriage, and rampant sexual immorality seem to have replaced a hearty and robust faith — and few are interested anymore. And many Church leaders often seem eager to dismantle the Church.
  3. Consequently very few Catholics are left who have the means and are willing to save these old churches. It’s easy to bemoan the loss on social media, it’s another thing altogether to step up and contribute where needed, even to fight for it.

And the list goes on. The point is, however, that we should not be surprise at all about the destruction of this church. What we should be is sad. But not so much for this building as for the Church itself, and for the world that is so actively and happily rejecting Christ. If anything, the above video is a powerful reminder of how the Church has been, and is continuing to be, assailed from within by a Catholic leadership who no longer has faith, and a laity who follows suit.

This is the text from the video* notes:

This is the last moments of Église Saint-Jacques d’Abbeville (St. Jack’s Church Abbeville). France is paying for 2,800 Cathedrals & Churches to be Demolished across France. The Saint-Jacques church was a neo-Gothic parish church located in Abbeville The building was constructed from 1868 to 1876 at the site of 12th century church which was rebuilt in 1482. It gradually deteriorated for lack of maintenance at the beginning of the 21th century and was demolished from January to May 2013. Architect Victor Delefortrie was responsible for the design of the church. The church contained two bells, Jacqueline from 1737 and another, mute, dated 1645. Inside, there was a particular organ called Mutin Cavaillé-Coll from 1906. During World War I , Abbeville was bombed but Saint-Jacques church was not affected. Only impacts shattered the windows. It also survived World War 2. In 2008, it was estimated that it would cost 4.2 million euro to restore the church from weather damage and disrepair. In 2010, an association was created to safeguard the church and a petition was launched. In spring 2011, while deciding on its fate a crack was noticed which had caused stone to fall from the church. The 31 January 2013, Nicolas Dumont, the mayor of Abbeville, issued an order to demolish the church as a safety hazard. The next 7 February, the city council voted to demolish the church at estimated cost of EUR 350 000. On April 27, the foundation stone was found and preserved by the city. In November 2013, the rubble of the church are used by two artists to create a work of contemporary art entitled Build/deconstructed. A town square was proposed for its replacement. The project was the work of an architect in the city, Jean-Marc Demoulin, who accommodated the desires of the residents. A lawn of grass covers the church’s location, taking its shape and orientation. Two pathways form a cross. At the site of the choir, a memorial will be erected to honor veterans and Achilles Paillart, the pastor responsible for the church’s reconstruction in 1868. A small pond will occupy the site of the altar The conversion also included the creation of forty-two parking spaces on the perimeter of the square, including three for people with reduced mobility.

The story as told above doesn’t seem as horrible as the video images first seem, but it’s still a terrible situation. I do not know if it’s entirely true about how many churches France is paying to demolish. 2,800 seems rather high, but my gut says it’s probably true. Is there hope for France and its churches? Can these buildings be saved? Can the Catholic Church in France rise from the ashes? If Christ returns will He find faith in France?

I pray every day for the Church in France.


∗ The original source for the video has disappeared. I found another source, posted above, but it does not contain the text in its notes.

The 2SPetrvs website has been posting some good videos. This one below is with Archbishop Sample (who happens to be my bishop) on the place of Catholic Tradition, especially when it come to the Liturgy, and how he has seen the positive responses from Catholic youth.

I believe Archbishop Sample is doing a good job of carefully, but steadfastly, promoting Catholic Tradition(s), such as the TLM and more reverence in the NO Mass, in the least “churched” region of the United States. The northwest region is the land of the “nones,” that is the land where when people are asked what religion they are, they select the “none” checkbox. So I truly appreciate that he is gently, but steadily, calling Catholics back to their heritage.

“Do not invent anything in the liturgy. Let us receive everything from God and from the Church. Do not look for show or success. The liturgy teaches us: To be a priest is not above all to do many things. It is to be with the Lord, on the Cross! The liturgy is the place where man meets God face to face.” – Cardinal Robert Sarah

There was a pilgrimage from Notre Dame to Notre Dame, that is, from Paris to Chartres, through the French countryside.

Cardinal Sarah quote2

I’ve written about this pilgrimage and Chartres Cathedral before here. In that post I write about how the youth are seeking a Church that demands more of them than the Novus Ordo Church of their grandparents. I’ve also posted about a recent restoration project at Chartres here, and a wonderful vintage video on the history and glory of the cathedral here.

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Chartres Cathedral on a quiet day

If you are curious about the pilgrimage, here are pictures of the full three days. They are listed in reverse order–scroll all the way down to see the beginning.

His Eminence Cardinal Robert Sarah showed up on the last day, May 21st, when all the pilgrims had arrived at Chartres:

Cardinal Sarah

And he celebrated Mass in the usus antiquior. Here is the full three hours of that Mass, including the entrance of the laity and all their flags, and all the clergy. It looks like it was quite an event, if that’s the right word:

I admit I’m a sucker for these long vérité videos. I love watching the people, getting a sense the event, its noises, etc. What an amazing Mass. I wish I could have been there, done the whole pilgrimage, etc.

Certainly it makes more sense to celebrate Mass in the Traditional Latin form in Chartres Cathedral, rather than celebrating with the Novus Ordo. A building such as this serves the old Mass better, and the old Mass serves the building better; the beauty, history, and magnificence of each in full cooperation.

From the Cardinal’s homily:

Dear Pilgrims of France, look upon this cathedral! Your ancestors built it to proclaim their faith! Everything, in its architecture, its sculpture, its windows, proclaims the joy of being saved and loved by God. Your ancestors were not perfect, they were not without sins. But they wanted to let the light of faith illuminate their darkness!

He goes on to say:

Today, you too, People of France, wake up! Choose the light! Renounce the darkness!

How can this be done? The Gospel tells us: “He who acts according to the truth comes to the light.” Let the light of the Holy Spirit illuminate our lives concretely, simply, and even in the most intimate parts of our deepest being. To act according to the truth is first to put God at the center of our lives, as the Cross is the center of this cathedral.

My brothers, choose to turn to Him every day! At this moment, make the commitment to keep a few minutes of silence every day in order to turn to God, to tell him “Lord reign in me! I give you all my life!”

So much wisdom in those words! And here is a link to the full text his homily.

The following images (as well as the image at the top of this post) also include quotes, in their original French, from Cardinal Sarah’s homily. I grabbed these from his twitter feed:

Cardinal Sarah quoteCardinal Sarah quote3Cardinal Sarah quote5Cardinal Sarah quote4

Sufficit tibi gratia mea
“My grace is sufficient for thee”

When we honestly ask ourselves
which person in our lives
means the most to us,
we often find that
it is those who,
instead of giving advice,
solutions, or cures,
have chosen rather
to share our pain
and touch our wounds
with a warm and
tender hand.
— Henri Nouwen

I am fascinated with L’Arch, the community for people with disabilities begun by Jean Vanier, and now spread throughout the world. Such a simple idea. So basic: just listen, be present to each other, celebrate life, touch, care, encourage, do not judge, love, show mercy, bestow grace, joke, sing, etc. Somehow I know the vision, the mission of L’Arche should not be the exception, but it is.

The above documentary gives a great overview and insight to the L’Arche history and mission. The video below gives an intimate portrait into how the L’Arche mission gets lived out in one community, one person’s life, and in response to one profoundly tragic act turned, as it were, on its head because of that mission of love, community, and mercy.

As I watched these videos I got to wondering. Is it not true that all of us have disabilities in one form or another? Certainly we are all sinners — a far bigger handicap that any physical or intellectual ones. We also cary with us all sort of emotional baggage. Some of the scars run deep. Those who have suffered abuse at the hands of others, especially those whom they have trusted and loved, can spend their entire lives working through the damage. We are just all disabled in one way or another. Could it be the picture we see in such an obvious way in L’Arche is truly the picture for us all, for our families, our communities, and the Church? I think so.

And then I wondered about my place of work. It is not a religious community, but a typical place of employment. We have sales and production goals, we have an organizational structure and group dynamics and all the common issues to overcome. I feel we often work hard to keep what is most important to us out of the work place. Rarely do we tell others how we truly feel, what we really think, if we are hurting, struggling, or depressed. I realize this protects us from strife and issues in the workplace that might not be related directly to generating profits. It is common to tell employees to leave their personal life stuff at home. Still, I wonder if the principles of L’Arche can be applied even in the workplace.

With the careful use of language to avoid offending anyone (most people, I assume, would not like being compared to someone with an intellectual disability), what might it look like to adopt and adapt the mission of L’Arche to a business environment, with the understanding that we are, in a sense, overcoming or accepting the disabilities in us all through listening, being present, building trust, and creating a place where disagreement and struggle are necessarily a part of being bonded together? How that might look is, I believe, worth exploring.

This Mass was organized by a group of students who call themselves the Tridentini (“A group of Roman Pontifical University students gathering each month for celebrations of the Holy Mass in the Extraordinary Form of the Roman Rite.”) and celebrated by l’abbé Matthieu Raffray of the l’Institut du Bon Pasteur in Rome. I believe they are SSPX, but I’m not sure.

I must say I’m curious about the support of the SSPX. Given that it’s in an irregular relationship with the Church, and is thus not in communion with it, I cannot give my support. That many others do makes me wonder. I’m sure some do not know about the issues with the SSPX and the Church, and therefore their conscience is clear. But others do, and yet the pull of the Tridentine Mass is so great that they still go. Again, I wonder. As I’m learning more of Catholic Tradition, including the traditional Latin Mass, and its place and role within our contemporary society and the Church, I’m more and more prone to cut the SSPX  some slack.

Fortunately I have access to the TLM once a month at a nearby parish 15 minutes away, and every Sunday at another parish if I want to drive 20-30 minutes — both in full communion with Rome. My home parish is not yet “TLM,” but may become that in the not-to-distant future. For now it is a reverent and solemn (but not without some of the typically questionable aspects) Novus Ordo parish. Still, I love it. I’m not a hardcore traditionalist, yet.

Dr. Denis McNamara gave two lectures on Church architecture, sweeping quickly through many aspects of Church design, classical architecture, the meaning of many details that easily get overlooked, and why it matters. The amount of interesting information in these talks is amazing and, I believe, a lot more important than most Christians realize or probably would care to know but should. Denis is also one of the three voices on one of the best Catholic podcasts anywhere, The Liturgy Guys.

Archbishop Sample
Archbishop Sample incensing the altar

Archbishop Alexander K. Sample of the Archdiocese of Portland, Oregon was the celebrant at an important Mass on April 28, 2018.

This Mass, held at the Basilica of the National Shrine of the Immaculate Conception in Washington D.C., was done according the 1962 Missal, in Latin of course. This form of the Mass is the Roman Rite, but it was in the Traditional Latin Mass form (rather than the Novus Ordo, or Mass of Pope Paul VI of 1969/70, know my most Catholics today, and also of the Roman Rite). The Traditional Latin Mass is also known as the Extraordinary Form, or usus antiquior (older use). This term, usus antiquior, was mentioned by his Excellency more than once in his homily. One key reason for choosing this form was to commemorate the ten year anniversary since Pope Benedict XVI issued his motu proprio Summorum Pontificum. For Catholic traditionalists the motu proprio was a huge event in the recovery of the old Mass and Catholic Tradition, and hence the reason to celebrate.

As I understand it, the Archbishop is not a strident traditionalist, and his homily confirmed that, but he has taken a leading role in promoting the Latin Mass in the United States and elsewhere. Having him celebrate this Mass makes sense. He is also my Archbishop, which makes this rather exciting for me.

This was only the second time since 1969 that Mass has been celebrated in the Traditional Form at the National Shrine. If you did not get a chance to be there or watch it live on EWTN, I’m sure it will be shown again, and eventually made available online. I admit I watched the entire Mass. There was also running commentary, which some might find distracting but I found helpful and not intrusive. I am still very much learning about the Traditional Latin Mass.

Here are some images (screengrabs) from the live EWTN broadcast:

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