Category Archives: Curious

Why do women wear veils at Mass? And should they?

I’ve been curious about women wearing veils at Mass. My family is relatively new to the Catholic Church. Very few women at the Mass (Novus Ordo) we attend wear veils. It’s natural to not want to stand out. Veiling is an entirely foreign concept for us, coming as we are from Protestant-land. But I have to admit, perhaps it’s even a bit strange, that women who wear veils at Mass or in the adoration chapel, somehow appear to me as more beautiful in the moment than those who don’t veil. I wonder why? I find it both odd and compelling.

I want to know more about veiling. My sense is that it’s actually a profound theological fact built into the very fabric of creation, of human nature and natural law, and of the reality of the Church. I believe it may be a natural language giving to us by God, teaching us and forming us. Perhaps when women wear veils before the Real Presence they are more fully complete in some mysterious way. If this is true, then parishes where veiling is largely absent and not promoted are at the very least failing to allow themselves to be taught and formed by this truth given to us by our Creator. At worse, we may actually be sinning by giving in to modernist and false ideas of women, men, the Church, and of Christ Himself. I wonder if the Church should place a higher priority on the practice. I’m leaning to a strong yes.

Why do priest never preach on veiling? Why do they never seek to teach their parishioners on what veiling means, why anyone would or should consider it? I’ve never once heard a homily about it one way or the other. Are they ignorant about veiling? Frightening to speak up? Are they against veiling? Perhaps they believe they are merely being obedient. But I can’t really blame them for not touching the subject if they feel they don’t have to. So, why don’t bishops touch the subject. I don’t know.

I find it interesting that the official Church declaration, Inter Insigniores (1976), states:

But it must be noted that these ordinances, probably inspired by the customs of the period, concern scarcely more than disciplinary practices of minor importance, such as the obligation imposed upon women to wear a veil on their head (1 Cor 11:2-16); such requirements no longer have a normative value.

And yet in the passage it references, 1 Cor 11:2-16, it is clear that St. Paul’s reasoning is not from culture but from the very design of creation and natural law. Although he uses the words of handing on traditions, he also argues: “But I want you to understand that the head of every man is Christ, the head of a woman is her husband, and the head of Christ is God.” And again: “For a man ought not to cover his head, since he is the image and glory of God; but woman is the glory of man.” And again: “For man was not made from woman, but woman from man. Neither was man created for woman, but woman for man.” And again: “That is why a woman ought to have a veil on her head, because of the angels.” In each case he argues from non-cultural positions, but rather teaches from the structure of creation, of the very origins of man and woman, and of the angels. I think St. Paul would disagree with Inter Insigniores. What do we do with this? Were the writers of Inter Insigniores “infected” with modernism? Were they worried of the biblical language in light of the rise of feminism? The use of the word “imposed” is interesting. In any case, I can’t say. I’m ignorant on this.

Therefore I’m trying to learn. Below are a couple of videos that I find interesting. The first is more theological, and it starts by looking at veiling broadly (why during passiontide do we veil crucifixes and statues? why ever veil anything?), then it looks at women wearing (or not) veils at Mass. I have watched this video several times now. The second video is more about personal testimonies from those who have chosen to veil.

If you so choose, I would love to know your thoughts on veiling. Feel free to add your comments.

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¡Viva Cristo Rey! Meditations on the Social Reign of Christ the King

Christ is King. He is the King. There is no other.

By myself I have sworn, from my mouth has gone forth in righteousness a word that shall not return: ‘To me every knee shall bow, every tongue shall swear.’ (Isaiah 45:23)

[F]or it is written, “As I live, says the Lord, every knee shall bow to me, and every tongue shall give praise to God.” (Romans 14:11)

Therefore God has highly exalted him and bestowed on him the name which is above every name, that at the name of Jesus every knee should bow, in heaven and on earth and under the earth, and every tongue confess that Jesus Christ is Lord, to the glory of God the Father. (Philippians 2:9-11)

Christ is king in both Heaven and on the earth. For some time I have been mulling over this remarkable fact. Remarkable because it seems glaringly true that the king of the world today is not Jesus, but Satan. Remarkable because so many Christians today seem wary of claiming Christ as their king. Rather they seek some kind of détente, some kind of peace with the world made of compromises that seem to hide Christ, to downplay or even deny His kingship. This seems to be the way of Pope Francis, who appears to love syncretism and dislikes evangelism.

But I have a growing tension within me. I find more and more that I don’t want to serve two masters. I don’t want to fall into the same old arguments. Instead I want to claim Christ as my king, bow to Him, and give my life to Him as never before. And I want the Church, Christ’s body on earth, His ruling authority over all the world, to stand up and claim its rightful place. This will require martyrdom will it not? Alas, so many of us, so many of the Church’s leaders, are “men without chests.” Perhaps I have been as well.

I do not have an answer, but I am seeking to understand. I do not know what it will look like, or what I will be called to do. At this point I know I am called to serve and support my family. I need to provide for them, so I do not seek to put all that in jeopardy.

The following are five talks given by a traditional Catholic priest. He offers a traditionalist’s critique of the world today, and provides examples of saints and martyrs who have given their lives for their king. I am not yet knowledgeable enough nor mature enough to know if this priest is 100% on target, and as with many videos I present these contain some cultural and social critiques that I’m still sorting through, but I find generally what he says about Christ’s kingship speaks to my heart and mind. I post these here as part of my process to understand and reflect on this important subject.

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Chartres Cathedral: An ideal for church design today.

Not all of us can regularly go to Mass in a cathedral of great beauty. Most Catholics have available to them rather humdrum works of architecture for their local parish. But it’s still possible to find beautiful small churches where careful attention to detail and the meaning of form went into their design. And yet, that still relatively rare.

The following video is an excellent look at one of the crown jewels of Catholic cathedrals, Chartres Cathedral in France. This comes from the “Smarthistory. art, history, conversation” YouTube channel. As you watch it, consider how much thought went into this building, and then consider the church where you regularly go to Mass. My point here is not to highlight the great beauty of Chartres compared to the humble local parish, but how carefully the design and the details were thought through and realized in Chartres. Can we achieve such excellence again? And can we achieve something of this in our local parishes? I believe we can and should.

Of course, very few parishes have the resources to build large and lavish churches, but often a church that achieves the right virtue of proper “churchness” is not a matter of resources, or size, or expensive materials, as it is of basic understanding and will. What I mean is that having the right understanding of what a church is and ought to be, and applying one’s minds carefully to its design, even a small church in a small parish can be a work of architecture worthy of worshiping Christ and elevating the faithful to Heaven.

I am surprised at how apparently ignorant so many Catholics are, including many in the hierarchy, about basic church architecture–or seem to be so. Churches are where we celebrate Mass. This is no small matter. Although, perhaps most Catholics are not as ignorance and not caring about such things, believing they are unimportant. However, the church building itself, though not absolutely necessary for celebrating Mass is, nonetheless, the normative place of worship. In it we meet the Real Presence of our Lord and savior, the King of Kings. If we take worship seriously then we should take church design seriously, including for the humble local parish Church. Catholics used to. But we haven’t for some time now. We must again.

I have frequently posted on this and related topics, for example here.

I also love how the speakers in the above video, Dr. Steven Zucker and Dr. Beth Harris, don’t shy away from orthodox Catholic dogma. This is not a video where the information presented has a condescending tone toward faith and believers. I have no idea if they are Catholics or not, but they just say things as though they are relating how Catholics ought to think of these things. I think this is the best way to present something like Chartres Cathedral. The viewer can make up their own mind, but at least one should know what the builders of Chartres believed and what led to make the kinds of decisions they did.

I have also been reading an excellent book, Visions of Mary : art, devotion, and beauty at Chartres Cathedral by Rev. Jill Kimberly Hartwell Geoffrion. She is a scholar, photographer, and Episcopalian priest who has come to love Chartres and Catholic history. (I pray she takes the leap and become Catholic–perhaps not easy for a woman who is an Episcopalian priest. She would have to give up some things precious to her.) This book takes a look at aspects that speak directly to the Holy Mother, her role in the life of the Church, and how Catholics (especially in times past) think of Mary. It does so by focusing and meditating on specific details of the cathedral. This book makes me want to go to Chartres and spend some significant time with the Cathedral, taking pictures and making sketches and just attending to it.

As I see it, architects should look at Chartres, and similarly excellent Catholic churches, as inspiration to how they should think about church design in general, and then apply that understanding to every Catholic church building, even the most humble and simple of churches. I also believe the faithful should know these things too, being encouraged in the faith, but also demanding churches actually be Catholic in their designs.

Of course, church design tends to flow from intended use, thus a church designed to serve the needs of the Traditional Latin Mass will necessarily look different than one designed to serve the needs of a Novus Ordo Mass. This is why, when the Novus Ordo was promulgated, so many older churches had their altar rails removed, altars brought closer to the nave, and other changes because the Novus Ordo felt wrong in a traditional space. And this is also why the Novus Ordo still feels out of place in a traditional church even after those kinds of changes have been made, because arches, stained glass, cruciform floor plans, and other harder-to-change elements don’t fit the New Mass. The contemporary modernist church needs a more Protestant style, entertainment hall. Thus, it’s more than merely the architecture that often needs to change.

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Modernism and the Church

modernism octopus

Fundamentalist cartoon: “The Octopus”, by E. J. Pace.

Postmodernism has been a common term for at least three decades. Because of that fact the term modernism may seem to refer to a thing of the past. Modernism has also been used to describe certain concrete developments in the history of art, architecture, literature, and other areas of human creativity. Thus we can speak of modernism in architecture with specific start and end dates, preceded by pre-modern architecture and followed by postmodern architecture. But in the area of ideas it is different, especially in relation to theology and Church history.

Modernism began before the industrial revolution, really earlier with the Protestant Reformers and the embracing of nominalism, and it continues today. In fact, it is so pervasive that one can fairly say modernism is the defacto set of beliefs held by most people, including most Christians. Sadly, I am a modernist in many ways, not because I want to be so, but because it is the ocean in which I swim and its tenets and presuppositions have become second nature to me. In fact, I don’t really see them, and when they are made evident to me I am often surprised. Thus, I have been digging into modernism with the purpose of eradicating it from my life and faith.

I also believe it can be argued that, for the most part, when we look at the Church today what we see is largely a modernist institution rather than a truly Catholic one. Whether that argument can be adequately countered I do not know, but I do think Catholics are very often unaware of modernism and its effects, and thus, because of modernism’s allure and its malleable nature, we are inclined to accept its ideas into their understanding of the faith. In short, modernism appeals to the natural “bent” of human nature, and is thus appealing to all of us if we are not on our guard.

1200px-Descent_of_the_Modernists,_E._J._Pace,_Christian_Cartoons,_1922

Fundamentalist cartoon: “The Descent of the Modernists”, by E. J. Pace, first appearing in his book Christian Cartoons, published in 1922.

Below are some excellent lectures and discussions on the topic of modernism. Each covers much of the same territory and terms, but each is also different and together they help form a complete picture. For those who love the Traditional Latin Mass, the first video is especially excellent.

Although understanding modernism, including where it came from, what it is, and how it has affected the Church, is an important task, Catholics are then faced with the question of what to do now? How does one combat the leaven of modernism within the Church?

Question: If modernism, the synthesis of all heresies, was significantly at play during Vatican II, and if it clearly influenced the formation of the Novus Ordo Mass, and if the so-called spirit of Vatican II is better called the spirit of modernism dressed in Catholic garb, and if the papacy of Pope Francis seems to be a thoroughly modernist papacy, then what are orthodox Catholics to do?

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Church of the St. Louis Abbey: Modernist Icon of Sacred Architecture

Church of St Louis Abbey Elevation

Here is a video on the design process and construction of the famous (or infamous) St. Louis Abbey Church.

Is this a good church? Does it properly serve the purpose of a church? Many would say no. In fact this church is frequently presented by traditionalists as a prime example of terrible church design. Why?

Michael Rose had some thoughts on this topic. The basics are presented here. In short, the idea is that there is no journey towards God, from the profane to the sacred, in a round church design. It is, rather, made for a celebration of community and not the Eucharist. Though perhaps providing excellent acoustics for singing prayers, it is arguably not designed for proper worship in terms of offering sacrifice by a priest to God on behalf of the Church. Of course, in our Novus Ordo world which is focused more on the “people of God” in communion with each other more so than on the Bride of Christ worshiping God, many would argue with this argument. A round church, one supposes, serves better the idea that the faithful are gathered around a table for a meal.

Also, the church was completed in 1962, before the council had done anything, and long before the Novus Ordo Mass was promulgated. These architectural ideas had been around for some time before the council.

Perhaps what I found most telling in the video linked above is the moment when Fr. Timothy says, “neither the architect nor we knew what we were doing.” I find this particularly emblematic of that era. It was a time when so many felt the strong need to throw off the past and create the future, but then discovered they didn’t know what to do. It made me think of this famous passage from G. K. Chesterton:

In the matter of reforming things, as distinct from deforming them, there is one plain and simple principle; a principle which will probably be called a paradox. There exists in such a case a certain institution or law; let us say, for the sake of simplicity, a fence or gate erected across a road. The more modern type of reformer goes gaily up to it and says, “I don’t see the use of this; let us clear it away.” To which the more intelligent type of reformer will do well to answer: “If you don’t see the use of it, I certainly won’t let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it.

There’s nothing wrong with asking if the way we have always built churches is the best. There is nothing wrong with exploring other possibilities. But, at the end of the day, we always discover our experimentations come from someplace, and the more we are unclear in our own minds the more likely other forces, spiritual or otherwise, will rule the day, and us. My take, and this applies to the “spirit” of the council and all that means, is that a great deal was done, including a great deal of destruction and deformation, because people had grown tired of the old ways and of old things. And I believe they grew tired because they ceased to truly know what they meant and what they were for.

Nonetheless, I pose the question: Is this a good Catholic church? Is it a proper design for what a Catholic church is meant to be?

Church of St Louis Abbey interior

Below is a time capsule Mass celebration in the church made for television:

 

 

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Praying in a Modernist Space

Are modernist buildings good places to pray?

abbey church interior

source and overview

I may be somewhat of an anomaly. On the one hand I am an advocate of Traditional Catholicism, including Traditional Catholic architecture designed to serve Traditional Catholic worship. (If you search through this blog you will know this.) On the other hand I love much of modern architecture. I love many buildings that many others do not like. I grew up in a modernist house, I studied modern art and architecture in college, and I have been a fan of early twentieth century and mid-century modern art and design. With this in mind, I found this lecture about one of the more famous (infamous?) modernist churches to be quite fascinating, not only for its informative content, but also because the lecturer gives a highly (almost ecstatically) positive perspective on exactly the kind of church design many would deride without hesitation.

Abbey Church SJU_Inaguration__020

source and more images

This lecture below is by monk, educator, and artist David Paul Lange, OSB. Whether you agree with his assessments or not, this is an excellent overview of modernist principles in architecture, especially at the mid-twentieth century point, and why it made sense to people at that time to build a church according to those principles. It is also an excellent “unpacking” of the design, and the ideas behind the design, of a particular church, the Saint John’s Abbey Church:

I find Brother David Paul Lange’s speaking style to be a bit too breathless for my tastes, but he is a great evangelist for the modernist perspective in architecture, and for this church. But I have some questions:

  1. Is his understanding correct about both modernist architecture and his interpretation of this church? I think absolutely.
  2. Is this church a good representation of modernist architecture? Yes.
  3. Is this church worthy of praise? As an example of modernist thinking, yes. As an example of excellent construction, yes. As a place for worship, you tell me, but I think no, at least not within a proper understanding of ideal Catholic worship.
  4. Therefore, does this church represent a different ideal of worship than traditional Catholic worship, I think so. But you tell me.

Notice a few things:

  1. He speaks of praying more than worshiping. This makes sense given this church is for a monastic community which is focused a great deal on prayer, but it is also significant. The focus is more about the nature and needs of praying than offering a sacrifice to God. Praying in a church is a good and normal thing. However, prayer is a part of worship, but not the only part. Many spaces can be prayerful. Only specific kinds of spaces serve the needs of worship.
  2. He speaks a lot of his own feelings. In a sense this entire talk is an explanation of his personal experiences of this church, and his feelings during and about those experiences. There’s nothing wrong with that up to a point, but as a Catholic would it not be better to also foreground the Body of Christ as a corporate entity a bit more? In that sense he would then speak more of the nature of man in general and his relationship with God. And then tie it back to this church and how it functions.
  3. This is more about a “modernist space” than a church (hence the title of the lecture), even though it is a church where the Eucharist is celebrated. He points out the way the outside comes into the church interior, reminding those inside of the connection with nature, what time of day it is, what weather is outside, etc. In this sense I gather the space functions a bit like stepping into a forest and praying. I like this in a sense, but when I think of celebrating Mass I wonder about the idea of Heaven on earth and the traditional way churches close off the outside world and creating a space that is more heavenly than earthly.
  4. He speaks of the honest use of materials, and how older churches seem dishonest somehow, using paint to create false impressions and faux marble, etc. This is a particularly important part of the lecture. I too love the modernist focus on materials. I also don’t believe such focus is necessarily bad for church design, but a church interior should be (traditionally speaking) a kind of three-dimensional icon of Heaven. Rough, earthy materials that evoke nature have their place, but they should serve a heavenly image, no? Here’s something I might explore in another post, but consider this: Is not a statue of St. Michael (for example) fake because it is not actually St. Michael? Same for the Holy Mother, etc? Would not any church that aspires to create a sense of the heavenly liturgy within its walls be a dishonest use of materials? Maybe. But perhaps that’s a “dishonest” use of the word dishonest.
  5. The bell tower, he argues, with its horizontal lines, points to (or mirrors) the horizontal earth rather than to God. He claims it reminds him that God is everywhere and in all things, and perhaps that’s a good reminder, but this is a curious claim and raises the question, in my mind at least, what is the purpose of a church? To call us to the earth or to call us to Heaven? Do we not minister to each other (horizontally) because we have first sought out and worshiped God–a vertical action? If we do not begin with the vertical does not our horizontal orientation eventually become skewed?
  6. He also mentions that the population of monks used to be 350, but now are only 150. They don’t need such a big church anymore. Only by way of correlation, but still interesting (and troubling): They commit themselves to modernist ideas, they build a modernist church to symbolically represent that modernist spirit, and not long after they lose 60% of their members. Apparently modernism doesn’t need monks. Perhaps modernism doesn’t really need man either.
  7. At the end of the lecture, just before questions, he jokingly apologizes for going a bit long and keeping the Downton Abbey fans from their show — a show whose popularity arose from a longing for an earlier time, represented, in part, not by modernist architecture, but very traditional architecture, and clothing, and customs, etc. Will future generations swoon over the modernist mid-twentieth century in the same way? Perhaps Mad Men did some of that, but that is an awfully dark show.
  8. The first question at the end, by another monk (I believe), is exactly my question, and worth the time for watching this lecture. I have never been in this church, so I have no way of saying what my thoughts would be, but I also wonder if such a place is naturally conducive to prayer, or liturgy at all for that matter. And I truly get the experience from having studied art and swooning over art that others think is stupid or meaningless. And I also find the questioner’s reference to the new cathedral in Los Angeles being obvious a place of prayer puzzling, since it also has been roundly derided for its modernist and non-Catholic design. The answer to his question included: “Do people get modernism? I think the answer is no, by and large,” and “Until I explain this…” In other words, modernist art and architecture requires explanation in order to appreciate it. This is one of the attractions and weaknesses of modern art. I have experienced exactly that feeling of “getting it” after studying it. And yet, I think this may be why modernist architecture is not a good choice for Catholic churches. He also says we are not actually living in a “modernist” society. In terms of art and architecture this may be true specifically in light of design principles–modernism, from an art historical perspective occured at a time in history which is now past. However, the spirit of modernism as a philosophical and theological undergirding of society and the Church is still very pervasive. How modernism in ideas and modernism in design interrelate is a fascinating topic too big for this post.

In the end I find the Abbey Church a beautiful and amazing space. However, I do believe it is probably best suited as a performance space than as a church. I would not advocate a church being built along these lines. Rather, I think we should be informed more by the needs of the Traditional Latin Mass with its focus on God rather than man, uniformity with the Church through history, and creative use of new and old materials that look to the past for inspiration and the future for permanence and authentic timelessness — which can only be done by beginning with a true understand of both God and man.

Finally, I wonder if much of the problems with using modernist design principles and materials for Catholic churches could be solved if the liturgy was the Traditional Latin Mass. In other words, imagine if Vatican II never happened, and the Novus Ordo Mass never promulgated, could churches have been designed in somewhat contemporary and modernist fashion and still fulfill the needs of the TLM? Can architects build “honest” churches and still be Catholic? I think so. But also keep in mind that the St. John’s Abbey church construction began on May 19, 1958, and lasted until August 24, 1961 — well before the council even began, and long before the Novus Ordo Mass was promulgated.

If you want to know a bit more about the architect Marcel Breuer:

If you want to know a bit more about the building of the church:

 

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It’s Not A Question Of Validity, It’s About The Efficacy Of Grace

I have often heard the defence of the Novus Ordo Mass in terms of it’s being valid. As though all that needs to be settled is whether a Mass is valid and then all is good. Validity is truly important. Flee from invalid Masses. I believe the new Mass is valid. The Church says it is and I am bound to accept it, and I do. I have concerns related to its validity, which I wrote about here. But I doubt anyone should take my concerns all that seriously. However, this lecture below by David Rodríguez gets closer to the heart of the matter of what, I suppose, I was really trying to say. For the real issue of the new Mass is not a question of validity, rather it is about the efficacy of grace.

[I have previously posted another amazing lecture by David Rodríguez, this time about the Mass and its relationship to the message of Fatima, here.]

Always, but perhaps more so now, we should be choosing those things which draw us closer to God, and which bring about the grace of God most fully into our lives. We must drive away sin, and root out evil, and cast off the world, and with passion and tenacity turn to Christ, bow before Him, and worship God with utmost reverence. If we fail to see the spiritual battle that surrounds us then we may find ourselves outside the refuge God has provided. And the winds blow strong across that wasteland. David Rodríguez argues that the refuge God has provided us is the Traditional Latin Mass. This does not mean the Novus Ordo cannot be celebrated with reverence, or that God’s grace cannot work through it (which it often does in individuals’ lives), but if one can have more or less grace available, why choose the lesser? Listen to this lecture and decide for yourself.

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