This is one of the best (probably the best) series of lectures on Vatican II that I have come across.
I’m reposting this, because it is so good. But also because we live in a society that has become a slave to sentimentality. This is also true of Christianity — sentimentality affects so much and we are so blind. O’Connor hated sentimentality. Ralph Wood speaks to this in the midst of so much else he says. A rich talk indeed.
HERE it is on archive.org, if you want to see it larger.
“An in-depth study of this famous cathedral. ‘What is the special character of Chartres Cathedral that we should call it the greatest of the medieval churches?’ Narrated by New York Times art critic John Canaday, Chartres becomes a visible fusion of faith, engineering and architecture. The camera pictures the cathedral in its awesome entirety, with detailed closeups, and as an enduring triumph of man’s skills.”
I believe there is a “movement” afoot within the Church (and perhaps beyond) to return in some way to earlier church building designs. In other words, to return to churches that look like churches and architecturally “speak” the language of the the sacred (and more specifically of Catholic theology).
This talk above speaks to that. Erik Bootsma essentially encapsulates the same message, with many of the same examples, found in Michael Rose’s book Ugly as Sin: Why They Changed our Churches from Sacred Places to Meeting Spaces — and How We Can Change Them Back Again.
I have to say I am swayed by the arguments. I say this as someone who loves modern art and architecture. In fact, many of the modernist churches Bootsma shows in his presentation I love as architecture. Still, they are not appropriate as churches for the reasons he points out.
And yet, I don’t believe it’s appropriate for us to return to the past in some slavish way. The way forward is to understand what the purpose of Church architecture is all about and what it is (or should be) trying to accomplish. Then to use that knowledge to create appropriate works for our times. However, as Christians we are both of our time and of the age to come. In other words, there is a timeless aspect to Christian experience, and so it should be with its art. So looking to the past is critical in order to move forward.
Related link: Catholic Art Guild
This is a nice rendition, going through the first time slow, and then repeating at more normal speed.
I find this fascinating. We all know Tolkien was a Catholic, and we can all readily pick up on a few Catholic themes in LTR, but I love how deep one can go with that. I also enjoy how much fun Joseph Pearse is having with this talk.