Martin Heidegger, before he became the 20th century’s greatest philosopher and infamous for a morally questionable life, was a devout Catholic. His father was the sexton in their parish. Martin and his brother helped. Below is taken from Rüdiger Safranski’s biography of Heidegger:
The “sexton lads,” Martin and his younger brother, Fritz, had to help with the church services. They were servers, they picked flowers to decorate the church, they ran errands for the priest, and they rang the bells. There were–as Heidegger recalls in On the Secret of the Bell Tower (Vom Geheimnis des Glockenturms)–seven bells in the tower, each with its own name, its own sound, and its own time. There was the “Four,” to be rung at four in the afternoon; the “Alarm Bell,” which roused the town’s sleepers from their slumber; and the “Three,” which was also the knell. The “Child” rang for sunday school and for rosary worship; the “Twelve” marked the end of morning lessons at the school; the “Klanei” was the bell struck by the hour hammer; and the one with the most beautiful ring was the “Big One”; it would ring on the eve and on the morning of high holidays. Between Maundy Thursday and Easter Saturday the bells were silent; instead there were rattles. A cranking handle set in motion a number of little hammers that struck against hard wood. A rattle stood in each of the four corners of the tower, and the boy bell ringers had to work the handles in turn to ensure that the harsh sound went out in all four directions of the compass The most beautiful time was Christmas. Toward half past three in the morning, the boy ringers would come to the sextion’s house, where mother Heidegger had laid the table with cakes and milky coffee. After this breakfast, lanterns were lit in the front-door passage, and everyone went out through the snow and the winter’s night to the church opposite and up into the dark bell tower to the frozen ropes and ice-covered clappers. “The mysterious fuge,” Martin Heidegger wrote, “in which the church feasts, the days of vigil, and the passage of the seasons and the morning, midday, and evening hours of each day fitted into each other, so that a continual ringing went through the young hearts, dreams, prayers, and games–it is this, probably that conceals one of the most magical, most complete, and most lasting secrets of the tower.” (Safranski 7)
That image of the boys going out into the snow around four in the morning to climb the bell tower and ring the bells is beautiful. These are the kinds of things we have lost in our frantic grasping after modernism and progress.
Cited works: Safranski, Rüdiger. Martin Heidegger: between Good and Evil. Translated by Ewald Osers, Harvard University Press, 2002.
Recently I stumbled across the brilliant philosopher Jean-Luc Marion. I have been reading some philosophy lately, and my focus has been mostly on phenomenology. I studied a bit of phenomenology in college, along with structuralism, post-structuralism, and deconstructionism. For reasons I can’t quite fathom, I now find myself diving back into these areas of thought.
Jean-Luc Marion is particularly interesting to me, in part because he is an unapologetic Catholic. I recently posted a video in which he answers the question of why he remains Catholic. I love his answers. (I guess one could say he is, in fact, apologetic because he provides an apologia for his faith.)
Below are two of his lectures. Though he is a philosopher and, therefore, brings his deeper thinking to the topics at hand, I find these talks very accessible. His very French accent is quite thick, but one gets used to it. I have now listened to each a couple of times. They are excellent.
Jean-Luc Marion is one the preeminent philosophers today. He is also a theologian and devout Catholic. He was asked, given all the troubles within the Church today, why he remains Catholic. This is his answer:
“They believe the future is theirs. If they just hang on long enough the liberal pope they dream of will come.”
“They cannot endure the orthodoxy of the young.”
In 1993 Dr. William H. Marshner gave a two-part lecture on modernism. It is amazing how relevant these lectures are for us today. The modernists now have their liberal pope, and they are utterly perplexed by the young Catholics clamoring for orthodoxy and tradition.
Fundamentalist cartoon: “The Octopus”, by E. J. Pace.
Postmodernism has been a common term for at least three decades. Because of that fact the term modernism may seem to refer to a thing of the past. Modernism has also been used to describe certain concrete developments in the history of art, architecture, literature, and other areas of human creativity. Thus we can speak of modernism in architecture with specific start and end dates, preceded by pre-modern architecture and followed by postmodern architecture. But in the area of ideas it is different, especially in relation to theology and Church history.
Modernism began before the industrial revolution, really earlier with the Protestant Reformers and the embracing of nominalism, and it continues today. In fact, it is so pervasive that one can fairly say modernism is the defacto set of beliefs held by most people, including most Christians. Sadly, I am a modernist in many ways, not because I want to be so, but because it is the ocean in which I swim and its tenets and presuppositions have become second nature to me. In fact, I don’t really see them, and when they are made evident to me I am often surprised. Thus, I have been digging into modernism with the purpose of eradicating it from my life and faith.
I also believe it can be argued that, for the most part, when we look at the Church today what we see is largely a modernist institution rather than a truly Catholic one. Whether that argument can be adequately countered I do not know, but I do think Catholics are very often unaware of modernism and its effects, and thus, because of modernism’s allure and its malleable nature, we are inclined to accept its ideas into their understanding of the faith. In short, modernism appeals to the natural “bent” of human nature, and is thus appealing to all of us if we are not on our guard.
Fundamentalist cartoon: “The Descent of the Modernists”, by E. J. Pace, first appearing in his book Christian Cartoons, published in 1922.
Below are some excellent lectures and discussions on the topic of modernism. Each covers much of the same territory and terms, but each is also different and together they help form a complete picture. For those who love the Traditional Latin Mass, the first video is especially excellent.
Although understanding modernism, including where it came from, what it is, and how it has affected the Church, is an important task, Catholics are then faced with the question of what to do now? How does one combat the leaven of modernism within the Church?
Question: If modernism, the synthesis of all heresies, was significantly at play during Vatican II, and if it clearly influenced the formation of the Novus Ordo Mass, and if the so-called spirit of Vatican II is better called the spirit of modernism dressed in Catholic garb, and if the papacy of Pope Francis seems to be a thoroughly modernist papacy, then what are orthodox Catholics to do?
John Vennari was the editor of Catholic Family News from 1994 until his death by cancer in 2017. Here is one of his last lectures before he died. According to his obituary, “John Vennari’s single mission was to teach people how to recognize and resist the pernicious errors of Modernism, especially since Vatican II.”
I found in this lecture a great overview of the history from a Catholic traditionalist perspective of how we got to where we are today, and providing key insights as to how we should understand Pope Francis’ papacy past, present, and future. I’m am very curious about the traditionalist perspective. I don’t really know where I stand on all of it, but it is fascinating. As you will see, Vennari was no fan of Pope Francis. However, this really isn’t about the current Holy Father, rather it’s a much bigger story, in which Pope Francis plays one part of many. You may agree or disagree, but I hope you are encouraged by considering the complex and rich way the history of ideas has played out, for better or for worse, and how your prayers can become that much more focused.
The video is presented by the Society of Saint Pius X, a group that has a complicated relationship with Rome, and with which I am not associated. Increasingly I find myself having strong traditionalist sympathies, but I don’t (yet) consider myself a full-blown traditionalist, and I have mixed feelings about the SSPX. But I do pray every day they may become fully reconciled with the Church. Until then I keep them at a distance. Nonetheless, I appreciate this lecture and others they have made available.
My previous post featured Jonathan A. Anderson lecturing on the lack of theological considerations in contemporary art criticism. This lecture comes several years later and takes a look at how religion is reappearing in the writings about contemporary art over the past two decades.