I find this discussion posted below wonderful. Neither Jordan Peterson or Slavoj Žižek are Christians, but they are both influenced deeply by classically Christian concepts. In this discussion , which was billed as a debate but turns out much better, begins with each speaking formally for 30 minutes, then each getting 10 minutes to respond to the other’s intro speeches, then it goes into a back and forth series of questions and responses. Both of these men have lively minds and that kind of humility that undergirds the search for truth. In effect what we have here is a modern version of a Platonic dialogue.
I have been somewhat of a fan of Žižek for years and more recently of Peterson — not an unqualified fan of course. In the end, at least in terms of this “debate,” they constitute, or at least lean towards, a kind of Christian balance but, I believe, without the full realization they are doing so. Peterson lays out his path, a kind of stoicism as it were, of pursuing the good life, and Žižek responds with a deep pessimism. My immediate thought was of St. Paul writing to the Romans about how he does the things he ought not to do and does not do what he ought, thus finding within himself the principle of sin acting against him. We might agree with Peterson’s path but find ourselves repeatedly incapable of staying on that path. In this sense the biggest lacuna in this particular discussion, and I believe in both men’s general work about the human condition, is a complete understanding of sin and its effects, though they both seem to have a better understanding than most. Nonetheless, this dialogue between these two original (especially Žižek) and deeply cogent (especially Peterson) thinkers is an incredible opportunity to have one’s mind creatively engaged.
I’ve been on somewhat of a phenomenology kick lately. In that time I’ve come across the brilliant French philosopher Jean-Luc Marion. I have posted several of his videos already. Here are two more. The first one below I find is quite brilliant, in which he works through the logic of giving, gift giving, receiving a gift, and the nature(s) of the gift.
If I understand his explanation of “the gift,” I can’t help but think of the following passage from the Gospel of St. Matthew 5:38-48
38 “You have heard that it was said, ‘An eye for an eye and a tooth for a tooth.’ 39 But I say to you, Do not resist one who is evil. But if any one strikes you on the right cheek, turn to him the other also; 40 and if any one would sue you and take your coat, let him have your cloak as well; 41 and if any one forces you to go one mile, go with him two miles. 42 Give to him who begs from you, and do not refuse him who would borrow from you. 43 “You have heard that it was said, ‘You shall love your neighbor and hate your enemy.’ 44 But I say to you, Love your enemies and pray for those who persecute you, 45 so that you may be sons of your Father who is in heaven; for he makes his sun rise on the evil and on the good, and sends rain on the just and on the unjust. 46 For if you love those who love you, what reward have you? Do not even the tax collectors do the same? 47 And if you salute only your brethren, what more are you doing than others? Do not even the Gentiles do the same? 48 You, therefore, must be perfect, as your heavenly Father is perfect.”
Martin Heidegger, before he became the 20th century’s greatest philosopher and infamous for a morally questionable life, was a devout Catholic. His father was the sexton in their parish. Martin and his brother helped. Below is taken from Rüdiger Safranski’s biography of Heidegger:
The “sexton lads,” Martin and his younger brother, Fritz, had to help with the church services. They were servers, they picked flowers to decorate the church, they ran errands for the priest, and they rang the bells. There were–as Heidegger recalls in On the Secret of the Bell Tower (Vom Geheimnis des Glockenturms)–seven bells in the tower, each with its own name, its own sound, and its own time. There was the “Four,” to be rung at four in the afternoon; the “Alarm Bell,” which roused the town’s sleepers from their slumber; and the “Three,” which was also the knell. The “Child” rang for sunday school and for rosary worship; the “Twelve” marked the end of morning lessons at the school; the “Klanei” was the bell struck by the hour hammer; and the one with the most beautiful ring was the “Big One”; it would ring on the eve and on the morning of high holidays. Between Maundy Thursday and Easter Saturday the bells were silent; instead there were rattles. A cranking handle set in motion a number of little hammers that struck against hard wood. A rattle stood in each of the four corners of the tower, and the boy bell ringers had to work the handles in turn to ensure that the harsh sound went out in all four directions of the compass The most beautiful time was Christmas. Toward half past three in the morning, the boy ringers would come to the sextion’s house, where mother Heidegger had laid the table with cakes and milky coffee. After this breakfast, lanterns were lit in the front-door passage, and everyone went out through the snow and the winter’s night to the church opposite and up into the dark bell tower to the frozen ropes and ice-covered clappers. “The mysterious fuge,” Martin Heidegger wrote, “in which the church feasts, the days of vigil, and the passage of the seasons and the morning, midday, and evening hours of each day fitted into each other, so that a continual ringing went through the young hearts, dreams, prayers, and games–it is this, probably that conceals one of the most magical, most complete, and most lasting secrets of the tower.” (Safranski 7)
That image of the boys going out into the snow around four in the morning to climb the bell tower and ring the bells is beautiful. These are the kinds of things we have lost in our frantic grasping after modernism and progress.
Cited works: Safranski, Rüdiger. Martin Heidegger: between Good and Evil. Translated by Ewald Osers, Harvard University Press, 2002.
Recently I stumbled across the brilliant philosopher Jean-Luc Marion. I have been reading some philosophy lately, and my focus has been mostly on phenomenology. I studied a bit of phenomenology in college, along with structuralism, post-structuralism, and deconstructionism. For reasons I can’t quite fathom, I now find myself diving back into these areas of thought.
Jean-Luc Marion is particularly interesting to me, in part because he is an unapologetic Catholic. I recently posted a video in which he answers the question of why he remains Catholic. I love his answers. (I guess one could say he is, in fact, apologetic because he provides an apologia for his faith.)
Below are two of his lectures. Though he is a philosopher and, therefore, brings his deeper thinking to the topics at hand, I find these talks very accessible. His very French accent is quite thick, but one gets used to it. I have now listened to each a couple of times. They are excellent.
Jean-Luc Marion is one the preeminent philosophers today. He is also a theologian and devout Catholic. He was asked, given all the troubles within the Church today, why he remains Catholic. This is his answer:
“They believe the future is theirs. If they just hang on long enough the liberal pope they dream of will come.”
“They cannot endure the orthodoxy of the young.”
In 1993 Dr. William H. Marshner gave a two-part lecture on modernism. It is amazing how relevant these lectures are for us today. The modernists now have their liberal pope, and they are utterly perplexed by the young Catholics clamoring for orthodoxy and tradition.
Fundamentalist cartoon: “The Octopus”, by E. J. Pace.
Postmodernism has been a common term for at least three decades. Because of that fact the term modernism may seem to refer to a thing of the past. Modernism has also been used to describe certain concrete developments in the history of art, architecture, literature, and other areas of human creativity. Thus we can speak of modernism in architecture with specific start and end dates, preceded by pre-modern architecture and followed by postmodern architecture. But in the area of ideas it is different, especially in relation to theology and Church history.
Modernism began before the industrial revolution, really earlier with the Protestant Reformers and the embracing of nominalism, and it continues today. In fact, it is so pervasive that one can fairly say modernism is the defacto set of beliefs held by most people, including most Christians. Sadly, I am a modernist in many ways, not because I want to be so, but because it is the ocean in which I swim and its tenets and presuppositions have become second nature to me. In fact, I don’t really see them, and when they are made evident to me I am often surprised. Thus, I have been digging into modernism with the purpose of eradicating it from my life and faith.
I also believe it can be argued that, for the most part, when we look at the Church today what we see is largely a modernist institution rather than a truly Catholic one. Whether that argument can be adequately countered I do not know, but I do think Catholics are very often unaware of modernism and its effects, and thus, because of modernism’s allure and its malleable nature, we are inclined to accept its ideas into their understanding of the faith. In short, modernism appeals to the natural “bent” of human nature, and is thus appealing to all of us if we are not on our guard.
Fundamentalist cartoon: “The Descent of the Modernists”, by E. J. Pace, first appearing in his book Christian Cartoons, published in 1922.
Below are some excellent lectures and discussions on the topic of modernism. Each covers much of the same territory and terms, but each is also different and together they help form a complete picture. For those who love the Traditional Latin Mass, the first video is especially excellent.
Although understanding modernism, including where it came from, what it is, and how it has affected the Church, is an important task, Catholics are then faced with the question of what to do now? How does one combat the leaven of modernism within the Church?
Question: If modernism, the synthesis of all heresies, was significantly at play during Vatican II, and if it clearly influenced the formation of the Novus Ordo Mass, and if the so-called spirit of Vatican II is better called the spirit of modernism dressed in Catholic garb, and if the papacy of Pope Francis seems to be a thoroughly modernist papacy, then what are orthodox Catholics to do?