John Vennari was the editor of Catholic Family News from 1994 until his death by cancer in 2017. Here is one of his last lectures before he died. According to his obituary, “John Vennari’s single mission was to teach people how to recognize and resist the pernicious errors of Modernism, especially since Vatican II.”
I found in this lecture a great overview of the history from a Catholic traditionalist perspective of how we got to where we are today, and providing key insights as to how we should understand Pope Francis’ papacy past, present, and future. I’m am very curious about the traditionalist perspective. I don’t really know where I stand on all of it, but it is fascinating. As you will see, Vennari was no fan of Pope Francis. However, this really isn’t about the current Holy Father, rather it’s a much bigger story, in which Pope Francis plays one part of many. You may agree or disagree, but I hope you are encouraged by considering the complex and rich way the history of ideas has played out, for better or for worse, and how your prayers can become that much more focused.
The video is presented by the Society of Saint Pius X, a group that has a complicated relationship with Rome, and with which I am not associated. Increasingly I find myself having strong traditionalist sympathies, but I don’t (yet) consider myself a full-blown traditionalist, and I have mixed feelings about the SSPX. But I do pray every day they may become fully reconciled with the Church. Until then I keep them at a distance. Nonetheless, I appreciate this lecture and others they have made available.
Filed under Catholic Church, Church History, Curious, Dogma, Liturgy, Marriage, Philosophy, Theology, Tradition, Truth, Video, World View
My previous post featured Jonathan A. Anderson lecturing on the lack of theological considerations in contemporary art criticism. This lecture comes several years later and takes a look at how religion is reappearing in the writings about contemporary art over the past two decades.
Many art critics have religious leanings. Many artists have religious leanings. Many works of art deal with religious themes. However, there would seem to be an unspoken pact among art critics (and art teachers) that religion and theological concerns will not be seriously considered as a topic or approach to thinking and writing about art. This is not a great situation for either artists or anyone who would appreciate art.
Jonathan Anderson is an artist, critic, and professor, and author of the book: Modern Art and the Life of a Culture: The Religious Impulses of Modernism (Studies in Theology and the Arts). In this lecture below he surveys and addresses this lack of theology in art criticism, and why it matters — not merely because he’s a Christian, but because theology can help all of us better understand works of art.
Anderson mention James Elkins and his book On the Strange Place of Religion in Contemporary Art. Here is a lecture Elkins gave on that topic a decade ago:
This is one of the most interesting and intense conversations I have ever witnessed. Jordan Peterson has received a significant amount of attention of late for his views, and in particular for an interview he did on television. Camille Paglia has been well known for years and is frequently outspoken on a number of topics. Both are absolutely brilliant and provocative. This video is easily worth its nearly two hours running time.
In confronting the “new atheists,” Dr. Edward Feser offers Scholasticism (or “new scholasticism”) as the proper answer. I like his ideas. I have my own ideas of the role and place of apologetics, and often I struggle with its importance in comparison to other forms of witness, but it’s still important.