This short talk by Roger Scruton is worth listening to in its entirety. His thoughts on silence are especially profound.
I have come to realize that rock-n-roll’s purpose, among other things, is to un-civilize the individual. We love rock-n-roll precisely because we want to be un-civilized. I do believe there is some value in occasionally “letting down one’s hair.” I really can’t say it’s all bad. But I also believe it has to be appropriately counterbalanced with beautiful music that leads us to perfection of the soul.
This idea of perfection of the soul is laughed at by moderns. No one believes in perfection anymore, in part because they don’t think it’s possible, but more profoundly because they don’t believe there is an objective standard by which to measure perfection. But they also do not believe in the soul. Why seek to perfect something that does not exist? And why go to the effort if there is no life beyond this one? I would posit, however, that the existence of music, and the phenomena of human experiences of music, are an excellent argument for the existence of the soul, its eternal nature, and its desire for perfection.
Then, when I think of the Mass, I consider its music and what that does to us. I wonder about appropriateness, and form, and the teleological purpose of liturgy. I also think about Scruton’s comment about the soul being prepared to receive good music. Can poor music at Mass harm us in some way? Can the repeated use of poor music at Mass cause the souls present to be temporarily incapable of receiving proper music when presented? How might we fix this?
Why in the world did God make music, and what is the relation between music and the human soul?
An EWTN show called Extraordinary Faith did a couple of episodes on new church designs and old church restorations that reflect the traditional patrimony of the Catholic Church.
The information here is great, and shows something of the rebirth and growth in recognizing the timeless and appropriate architectural and artistic designs of those buildings we instantly recognize as churches. Consequently many parishes and religious groups are wanting such buildings again.
I love the level of exposure to these beautiful churches and those who build & restore them this shows brings. There is a great deal of skill and work involved in any traditional Catholic church building. I also love the passion exhibited here for the traditions of the Church.
[An aside: Of course, and as expected, in the “spirit of EWTN” the production quality is serious, thoughtful, and sometimes (unintentionally) humorously amateurish. I would love to see EWTN level up two or three notches with its productions. Perhaps something like Bishop Barron’s Catholicism series, which would be at least a place to start. I’m not just complaining. I used to be a professional television producer and director, so I know a few things about what it takes to make good television, and it’s mostly not a question of money. EWTN too often is caught somewhere between 1980’s professional television and community access television.]
Here is a great video how one Catholic parish in America has renovated its church building, invigorated its parish life, helped its community, and is contributing to the restoration of the Church at large. The video is from 2010, but its message resonates still. Basic things: repair the building, offer vespers, bring back pomp and reverence, Latin, chant, Corpus Christi procession, altar boys, communion on the tongue while kneeling, incense, mystery, etc., etc. They also employed an architectural and liturgical expert, Denis McNamara, to help lead the restoration.
The church interior was completed in 2014. Here are some stunning images, including before and after photos of the project. What beauty. My parish should do this! I’m sure the first response will be about money, but I really think it comes down to the will to do it — as do most goals of highest value.
If there is any one formula or silver bullet for creating vibrant parishes it seems to be: get back to the roots, restore the old ways, focus on truth, goodness, and beauty in the Mass, and do those things that support these things, like renovating your church building inside and out.
The cathedral of Notre-Dame in Paris is slowly crumbling. It’s expensive to repair. Since the French Revolution churches in France are owned by the state. So the state has the responsibility to keep the churches standing, or decide some other fate, which could mean demolition. The cathedral of Notre-Dame needs $70 million dollars. Here’s a story about that:
Perhaps the French state should give the catherdral back to the Church. No?
For some time now I’ve been fascinated by Church architecture and how it works. In my parish there is a small movement to re-establish the original high altar and tabernacle at the center of the sanctuary. It was moved to the right of the sanctuary sometime in the 1970’s I would guess. I wrote about it here.
My argument for moving the altar back to the center is based a lot on what a church is, and the overall design of churches, essentially starting with the structure and moving in towards the altar. What I like about the following lecture by architect Duncan Stroik is that he starts with the altar and “builds” out from there.
Of course, to understand the altar we should understand what takes place there. Do we truly have the body and blood of Christ? If yes, then that is huge. If no, then none of this really matters. Right? Sometimes I think that most Catholics today see the Eucharist as a symbol, not believing in the Real Presence, not believing in transubstantiation. I think churches in the round reflect that.
How we design and build our churches expresses what we believe to be true — and how we rank truths. A church in the round reflects some truth — that we are all fellowshiping around a shared table. But does it reflect the proper hierarchy of truths? Have more important truths been reduced in rank (as expressed by the design) and lesser, though important, truths been elevated? Has Jesus my friend been elevated over Christ our King?
This video speaks to my soul. Having been an art history major as an undergrad, and loving medieval architecture, and loving documentary film that just shows you the “thing itself” without commentary, videos like this one are wonderful. Full screen, turn up the volume.
Notes on the production:
“Ce documentaire vous plonge au cœur du chantier de restauration du déambulatoire de la cathédrale Notre-Dame de Chartres (Eure-et-Loir) et permet de découvrir les gestes des restaurateurs de l’entreprise Lithos, filmés par Anne Savalli. Il décline les principales étapes de la restauration et le savoir-faire unique des artisans opérant sur les échafaudages inaccessibles au regard du public.”